Blog

‘Later is now’  commented on my exhibition ‘subject vs. object’ at Galerie vorn und oben. They are excited.
Quote: “Die Kunst kommt heute von Lilith. Die hat es in sich! Wer uns als Kunstsammler kennt, weiß wie wir zur Fotografie stehen. Liliths Arbeiten haben uns aber heute Gründe zum Umdenken gegeben. Das passiert sehr selten!”
Quote: “Wir suchen die Verbindung zwischen den Werken und der Künstlerin. Schnell könnte man abgelenkt werden, von allem, was in ihren Bildern erzählt wird. Aber es sind die Augen. Ihre Augen. Sie verraten ihre Leidenschaft. Und wir mögen leidenschaftliche Menschen!”

Read the article here

Departing from a mathematical formula the exhibition analyses the simplicity of a definition which, through the selection of the displayed works, questions the term of relativity. Jan Hoet would have put it this way: «Who boxes with or against whom?“ What is a museum, what art has its place in it and what can one expect?
No answer to this question is needed since the latter focuses on the insecurity that provides the necessary basis for any creative process. Institutional insecurity creates space for individual decisions – of the artist, the director of the museum or even the public. Through a daring confrontation of the displayed artworks this exhibition puts under scrutiny individual and collective acceptation.

My self-portrait ‘Who’s coming to dinner?’ and I will be present on Sunday January 17, 2016.

Creating a huge videocollage ‘Working my way up’. I’ve shot this series about the way I live my life in 2007. The collage will be shown at Galerie vorn und oben Eupen (B) during my show ‘subject vs. object’ starting January 31. Here’s a glimpse…

Working my way up, 2007

Well, I guess that must be me #thelastperfectman

You cannot
Make me feel ugly
Neither inside
Nor outside
Just leave
Quietly
© Lilith 2016

The fence 2016